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Pepin Martín Vázquez, ahead of his time is almost

Pepin is dead silent, as he had lived since he hung up the costume early the fifties. Your picture must be remembered for the immense contribution to bullfighting. He was ahead of its time. Just three seasons at the summit was Pepin, torero de la Macarena in Seville and the highest representative of bullfighting in Seville with Chicuelo, Pepe Luis and Manuel Gonzalez. The youngest son of the legendary sword Seville Curro Vazquez had a meteoric career. Debuted with picks in Barcelona on February 27, 1944 in a triumphant afternoon. The alternative path was rapid. After 34 heifers, including his great slaughter in Madrid a pit bull of the gipsy, took the alternative in Barcelona on 3 September 1944 of the hands of Pepe Domingo Ortega and Luis Vázquez and Carlos Arruza of witnesses . That same year another 13 have joined in bullfights had begun as the year of its filing with horses.

season of 1945 was glorious for the bullfighter in Seville. It was the new star of the Fair of Seville. In Madrid, he participated in five runs, including alternative to confirmation. In 1946 he fought 51 fights. The year 1947 began with the best prospects for a bullfighter Resolana born in the street. However, the horns stopped Pepin Martín Vázquez and stopped him to take command of the Party after the death of Manolete. Among his mishaps, which suffered in Valdepeñas August 8, the same season of the tragedy of Linares, was decisive. That year, 1947, Pepin was the winner of the first fair of San Isidro, and the Welfare of Madrid, on 16 July, had cut four ears later shared with Manolete. The images of that day tasks of two bulls Bohórquez served to illustrate the film Currito de la Cruz, who starred in 1948 bullfighter.

Pepin Martín Vázquez was a bullfighter full of virtues. In his bullfighting merged - on par - the salt and classicism, courage and harmony, caste and grace bullfighter. In terms of style, José María de Cossio believes that, "he was fighting with his crutch excellent and even with a classicism that attenuate itch real grace, the cheerful rhythm of bullfighting. Rennet many memorable tasks and especially in the years of height took place in the first row of the murderers of his time. "

Pepin was grace, aroma, Sevillanía, the paint bullfighter, but also the value and caste. It was the detail and sparkle - inherited from Chicuelo and Pepe Luis Vazquez and precursor of Manolo Gonzalez - but also the pride, arrogance and total deals ranging from the graceful cape florida on harp and crutch, which was not exempt or depth or depth. Bullfighting was majestic your feet together, with a particular joy in the mild stroke, with accompanying voice alternative to include in the veronica with feet together, in exciting chicuelinas purely natural and Seville.

Then trim the bullfight, cheering even Burel further, to the crowing, the windlass Triana, turning on the same side of the bull, the passing of the firm, which created Chicuelo Barn and went through all the arenas in the world. But the most striking contribution of bullfighting Pepin Martín Vázquez is marked by the launch of the gaonera and overlook your feet together. Without neglecting its fundamental bullfighting magnificent, magic cape to his back bullfighting layer rose to the heights of art. Your gaonera deep and majestic, graceful and serene, assumed the qualities of the most renowned temple and carried the luck in each of the sets out to be true veronicas.

The bullfighter's Resolana trying to fuse in one piece Seville and Cordoba, Chicuelo with Manolete, to get to fight as it only started a decade later, the best bullfighters of the fifties. Pepin was fighting like an angel. He was ahead of its time. In full forties was fighting came out to fight as much later. When we look at their splendid tasks, we look most current. Was fighting on the site and the binding of Manolete, but with a different accent, very elegant, very simple, very classic. Pepin Martín Vázquez paid dearly for his clairvoyance. In a gallery of famous bullfighters must include all deserving.

has died without Gold Medal of Fine Arts, which the master of the street Resolana did not care, but died without the recognition of one's hobby, something to which one's own Pepin contributed to the absence from public life. I was happy in the gathering of his friends in the Sale Pazos and playing dominoes with them. But it is further proof of how great it is to Spain, especially those who do not thrive or to humiliate anyone.
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